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Claude Monet

Claude Monet's 'Impression, Sunrise' shows a hazy orange sun rising over a misty harbor, rendered with soft, loose brushstrokes that defined an entire movement.

Claude Monet didn’t paint what he saw—he painted what it felt like to see. As the leader of the Impressionist movement, Monet flipped the script on traditional art by ditching sharp lines and perfect realism for color, light, and movement. His brushstrokes captured the vibe of a moment rather than its exact shape, making his paintings feel alive.

A dreamy pond of water lilies painted in soft pastels and sweeping brushstrokes

His famous painting Impression, Sunrise wasn’t just a bold choice—it accidentally gave an entire movement its name after a critic tried to insult it. Monet and his friends owned it, and suddenly 'Impressionism' became the future of art. Instead of working in studios, they painted outside (aka 'en plein air'), chasing sunlight and shadows as they changed hour by hour.

A series of haystacks glowing in different colors under changing sunlight

Monet was obsessed with how nature changed throughout the day. That’s why he painted the same thing over and over—haystacks at dawn, at noon, and at dusk. His Water Lilies series from his garden in Giverny looks like a dreamscape, mixing reflections, color, and soft shapes into nearly abstract masterpieces.

Claude Monet's Bouquet of Sunflowers 1881

Even as he aged and his eyesight faded, Monet kept painting. His later works, especially the giant water lily murals, blurred the line between what’s real and what’s felt—foreshadowing modern abstract art. His legacy lives on not just in museums, but in every artist who’s ever tried to paint how the world feels, not just how it looks.

Claude Monet with a long beard, standing in his lush garden in Giverny, holding a paintbrush and palette

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